A Reviewer’s Notebook – 1963/4
It is a contemporary article of faith in our interventionist age that subsidies were absolutely necessary to build the American railroad grid and to get the American merchant marine going in the age of steam. But even in the days when the West was only sparsely populated, James J. Hill built the Great Northern Railway without benefit of government handouts. And in the midst of depression and war in the nineteen thirties and forties a remarkable Danish-American, Hans Isbrandtsen, created a profitable worldwide American steamship company without aid from
Thus it has been proved that vital transportation can be had on pure Adam Smith terms even though only one man in, say, a million believes it in our day of foundering railroads, federally-financed throughways, and high-cost cargoships. The story of how Hans Isbrandtsen riddled the most cherished theory of the interventionists has been dramatically told by James Dugan in a salty, rip-roaring chronicle called American Viking (Harper and Row, $5.95).
Isbrandtsen, known as "the sea wolf" to everyone who went up and down the shipping lanes of the Seven Seas, did it on American terms, paying the higher wages the American seamen had come to regard as their rights. He bickered with shipping boards, he undercut standard conference freight rates, he tangled with congressmen, he was often embroiled in a running battle with the U. S. State Department, and he rationed lead pencils to his office force at the old Standard Oil building on
A Merchant at Times
The unorthodox way in which Hans Isbrandtsen managed to wring a pure Adam Smith profit out of hacking bulk cargo about the world appeared incredible to his competitors, but it would have seemed merely standard practice to our forefathers in the age of sail. Like the enterprisers of old
Arrow or the Flying
Year after year the Isbrandtsen lines made a profit as the brusque "sea wolf" moved his ships around the chess board of the world by sending expensively detailed cables out from the home office "Main Deck" at 26 Broadway. Isbrandtsen’s quick ways of cutting a loss or grabbing an opportunity on the fly would have appealed to the
A throwback to the nineteenth century in all ways, Isbrandtsen believed in trading with anybody without asking questions about ideology. He believed in an absolutely undeviating application of the old doctrine of "comparative advantage," justifying exchanges with countries like Red China or Soviet Russia on the ground that a swap of noncontraband goods is always politically "neutral." If the Red Chinese, for example, wished to buy western wheat, they would have to pay for it by detailing workers to produce something of use to the western nations. The energies of Red Chinese workmen would thus be diverted to peacetime activities.
In the nineteenth century this doctrine had much to commend it. Before the days of modern totalitarian dictatorships, production for export invariably created a "peace party" inside a state. This was even true in the more authoritarian countries like Hohenzollern
Alfred Kohlberg and the so-called "China Lobby" were quite correct from their own radically anticommunist point of view when they labeled Isbrandtsen’sattitude as "objectively" procommunist. The brusque Danish-American sea wolf did not see it that way, of course. But that was simply because he didn’t think it the business of the
The Carlsen Saga
Mr. Dugan’s acceptance of Hans Isbrandtsen’s own philosophy is so unquestioning that the subtleties involved in trying to understand the shortcomings of the doctrine of comparative advantage in the modern age of totalitarian armed camps quite escape him. Like Isbrandtsen himself, Mr. Dugan is a romantic. He likes action and he glories in color. The piece de resistance of his book is provided by the heroic exploit of an Isbrandtsen captain, Henrik Kurt Carlsen, who insisted on staying aboard his wrecked ship, the Flying Enterprise, for two dreadful weeks of gale and hurricane in the
Nevertheless, the Carlsen saga very definitely belongs to the Isbrandtsen story. For the old sea wolf had infused all his captains with his spirit. Carlsen had so thoroughly absorbed the doctrine that an Isbrandtsen captain must try to get his ship into port at all hazards that he refused to quit his post even after Isbrandtsen himself had given up on the Flying
There are other sagas in this story of Isbrandtsen’s embattled life; the story of the sea wolf’s abortive attempt to revive the American whaling industry has only slightly less interest than the account of Carlsen’s ordeal. This is a grand book with a lesson for free men.
TV: From Monopoly to Competition by Wilfred Altman, Denis Thomas, and David Sawers (
Reviewed by Melvin D. Barger
The British broadcasting system, a government monopoly, had the airwaves to itself for thirty-five years. It now shares them with commercial broadcasting, in the form of the Independent Television Authority. The story is told in TV: From Monopoly to Competition. Mr. Altman traces the history of British broadcasting, taking the reader from its beginning in 1920 down to the present. Interestingly, British broadcasting had a brief flirtation with private enterprise in 1922, but almost immediately the government-owned Post Office department claimed jurisdiction and helped set in motion the forces that were to lead to state monopoly. The BBC came into being that same year, a single broadcasting service that justified its monopoly with such arguments as the "shortage of wave lengths" and "public service"—reasons which were to persist until 1955. (Mr. Altman acknowledges a heavy indebtedness to R. H. Coase’s pioneer study, British Broadcasting—A Study in Monopoly, for historical source material. See Coase’s
"Why Not Use the Pricing System in the Broadcasting Industry?" The Freeman, July 1961. p.62.)
The growth of the BBC through the years also meant the growth of a large body of public broadcasting officials with a vested interest in maintaining their own power and influence. Anxious not to permit even a smattering of privately-owned broadcasting outlets, they campaigned mightily to take over the handful of independent wire transmitting stations in the country. Yet they always had to do constant battle against recurring public opposition to their monopoly.
Although the British people long delayed their move to overthrow the BBC monopoly by direct political action, they apparently were doing a great deal of "voting" with their radio dials. Commercial programs beamed from
What was the social impact of independent television? Mr. Denis Thomas explores this topic in his section of the booklet, and compels one to conclude that video came into its own only after the break-through into commercial broadcasting. ITA (Independent Television Authority) was to become so popular in the public mind that even leaders of the pro-BBC Labour Party were to find it politically expedient to deny that they contemplated eliminating independent television. Commercial television actually changed the entertainment habits of the British public, and the number of TV viewers in the country grew from 51/2 million in 1955 to 40 million in 1961. Independent television claimed to have some 69 per cent of this nightly audience.
But perhaps the most significant effect of independent television was that it forced a change in the policies of the BBC, which put on a new face to meet the competition for viewers. The BBC even began to outdo its rival in competing for some of the American programs that had been so popular with independent viewers. It was, in fact, the BBC that scored in
The economics of British television gets an airing in the final section of the booklet, in which Mr. David Sawers also examines the possibility of establishing more services, such as Pay-TV and channels in the UHF (ultra high frequency) range. Although certainly vital to a complete discussion of the British broadcasting problem, his portion seems to get heavy with technical and economic detail.
In a concluding summary, the authors endorse the need for a third broadcasting facility, if only to give viewers a wider choice. They seem to support maintaining the present degree of freedom for the ITA, and also extending it to the BBC by permitting the latter to accept advertising and buy additional time on the ITA. As for control of programming, they insist that the majority must continue to be allowed to watch what it wants (reiterating, somewhat, a point made in the prologue: that people who are capable of choosing their political governors should be capable of choosing their television programs!)
***
Ideas on
Knowledge and Learning
The intellect, which has been disciplined to the perfection of its powers, which knows, and thinks while it knows, which has learned to leaven the dense mass of facts and events with the elastic force of reason, such an intellect cannot be partial, cannot be exclusive, cannot be impetuous, cannot be at a loss, cannot but be patient, collected, and majestically calm, because it discerns the end in every beginning, the origin in every end, the law in every interruption, the limit in each delay; because it ever knows where it stands, and how its path lies from one point to another.
CARDINAL JOHN HENRY NEWMAN
The Idea of a University









